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The Allegory Explained: Tristram Shandy, Gentleman by Laurence Sterne

The Allegory Explained: Tristram Shandy, Gentleman by Laurence Sterne

“The Life and Opinions of Tristram Shandy, Gentleman” is a novel by Laurence Sterne that was published in nine volumes between 1759 and 1767. The book is an innovative work of fiction that explores the life of its titular character through a series of digressions, interruptions, and non-linear storytelling techniques. Sterne’s use of these techniques has led many scholars to view the book as a precursor to modernist literature.

Tristram Shandy's chaotic life unfolds as he navigates through a maze of absurd events and comical mishaps, all while contemplating the meaning of existence

One of the most interesting aspects of “Tristram Shandy” is its use of allegory. Throughout the book, Sterne uses various characters and events to comment on larger philosophical and political issues. For example, the character of Uncle Toby, who is obsessed with military history and strategy, can be seen as a commentary on the futility of war and the dangers of unchecked nationalism. Similarly, the book’s many digressions and tangents can be seen as a commentary on the nature of storytelling itself, and the ways in which our own experiences and biases shape the narratives we tell.

Author Background

A quill pen hovers over a blank page, surrounded by scattered ink bottles and crumpled papers. A candle flickers in the dimly lit room, casting shadows on the cluttered desk

Life of Laurence Sterne

Laurence Sterne was an Irish-born English novelist and an Anglican clergyman. He was born in Clonmel, County Tipperary, Ireland, on November 24, 1713. Sterne was the second of seven children of Roger Sterne, an army officer, and Agnes Hebert, a soldier’s daughter. He studied at Jesus College, Cambridge, and was ordained as a deacon in 1737 and as a priest in 1738. He married Elizabeth Lumley in 1741, and they had a daughter named Lydia. Sterne died in London on March 18, 1768, at the age of 54.

Influences on Sterne’s Work

Sterne’s work was influenced by his travels and his reading. He traveled extensively in Europe, including France and Italy, and his experiences there influenced his writing. He was also influenced by the works of other writers, such as Miguel de Cervantes and Jonathan Swift. His most famous work, “The Life and Opinions of Tristram Shandy, Gentleman,” was published in nine volumes from 1759 to 1767. The novel is known for its innovative narrative style, which includes digressions, non-linear storytelling, and metafictional elements. Sterne’s writing style and tone are integral to the charm and complexity of the novel.

Overview of ‘Tristram Shandy’

A cluttered study with books, quills, and papers scattered about. A disheveled writing desk with ink stains and a half-finished manuscript

Plot Summary

‘Tristram Shandy’ is a novel written by Laurence Sterne that follows the life and opinions of a gentleman named Tristram Shandy. The novel is divided into nine volumes, with the first two volumes being published in 1759 and the remaining seven volumes being published over the next eight years. The plot of the novel is not straightforward, as it is filled with digressions, interruptions, and non-linear storytelling.

Main Characters

The main character of the novel is Tristram Shandy, who is the narrator and protagonist. Other important characters include Tristram’s parents, Walter and Elizabeth Shandy, and his Uncle Toby. Tristram’s parents are portrayed as eccentric and somewhat incompetent, while Uncle Toby is a retired military man who is obsessed with fortifications and military strategy.

Narrative Style

The narrative style of ‘Tristram Shandy’ is unique and experimental. The novel is filled with digressions, interruptions, and non-linear storytelling, which can make it difficult to follow at times. Sterne also uses a variety of literary techniques, such as metafiction, satire, and parody, to comment on the conventions of the novel and the society in which he lived.

Allegory in the Novel

A winding staircase leads to a door with a bright light shining through, symbolizing the journey of self-discovery and enlightenment in Tristram Shandy

The Significance of Names

Tristram Shandy, the protagonist of the novel, has a name that suggests a tragic life. The name “Tristram” means “sorrowful” or “sad,” while “Shandy” is a play on the word “shend,” meaning “to shame” or “to disgrace.” This name reflects the character’s misfortunes and the embarrassment that he often experiences throughout the narrative.

Metaphors and Symbolism

Sterne uses various metaphors and symbols throughout the novel to convey his ideas. For example, the broken clock that Tristram’s father obsesses over represents the disordered and chaotic nature of time. The winding staircase in the Shandy household symbolizes the convoluted and meandering nature of the narrative itself. These symbols and metaphors add depth and complexity to the novel’s allegorical meaning.

Philosophical Themes

The novel explores various philosophical themes, including the nature of identity, free will, and determinism. Tristram’s struggles with his own identity reflect the human condition of searching for meaning and purpose in life. The novel also questions the role of fate and chance in shaping human lives, as Tristram’s misfortunes often seem to be beyond his control.

Literary Analysis

A chaotic jumble of books and papers scattered across a cluttered desk, with a quill pen and inkwell at the center

Satire and Humor

One of the most notable features of “The Life and Opinions of Tristram Shandy, Gentleman” is its use of satire and humor. Sterne uses humor to critique societal norms and conventions, often through the use of absurd or exaggerated situations. For example, Tristram’s father’s obsession with his son’s nose is a satirical commentary on the superficiality of appearance. Sterne also pokes fun at the literary conventions of his time, such as the use of footnotes and the strict adherence to chronological order.

Narrative Technique

Sterne’s use of narrative technique is also a significant aspect of the novel. He employs a non-linear narrative structure, frequently interrupting the story with digressions and asides. This technique allows Sterne to explore themes such as memory, identity, and the nature of storytelling itself. The novel’s self-awareness and metafictional elements also contribute to its unique narrative style.

Time and Its Representation

Sterne’s treatment of time is another important aspect of the novel. The non-linear narrative structure means that time is often ambiguous and difficult to track. However, Sterne uses this ambiguity to his advantage, exploring the subjective nature of time and how it affects individual experience. The novel’s focus on the past and the role of memory in shaping identity further emphasizes the importance of time in the story.

Historical Context

18th Century England

The 18th century in England saw a significant transformation in various aspects of life. This period was characterized by scientific progress that revitalized technology, trade, and medicine. The expansion of the British empire rapidly broadened its citizens’ understanding of the world. The spread and development of literature and philosophy engendered fierce debate and discussion among intellectuals. The literary scene was marked by the rise of the novel, which became the dominant form of literature.

Contemporary Reception

When Laurence Sterne published “The Life and Opinions of Tristram Shandy, Gentleman” in nine volumes between 1759 and 1767, it was a literary sensation. The novel was wildly experimental for its time, and its reception was mixed. Some critics praised it for its originality and wit, while others found it vulgar and obscene. The book’s popularity grew over time, and it became a cultural phenomenon. It was widely read and discussed in literary circles, and it influenced the development of the novel as a literary form. Today, it is considered a masterpiece of English literature and a landmark in the history of the novel.

Modern Interpretation

Postmodern Perspective

Tristram Shandy has been interpreted as a postmodern novel due to its self-reflexivity, fragmented structure, and playful use of language. The novel’s narrator frequently interrupts the narrative with digressions and metafictional comments, drawing attention to the act of storytelling itself. This self-consciousness about the novel’s status as a work of fiction mirrors the postmodern concern with the constructed nature of reality.

The Novel’s Legacy

Tristram Shandy’s influence can be seen in the works of many modern and postmodern writers. Its fragmented structure and playful use of language prefigure the experimental fiction of James Joyce and Virginia Woolf. Its self-reflexivity and concern with the act of storytelling can be seen in the works of postmodern writers like Italo Calvino and David Foster Wallace. Tristram Shandy’s legacy is a testament to the enduring power of innovative and experimental literature.

Critical Reception

Initial Criticism

Upon its initial publication, “The Life and Opinions of Tristram Shandy, Gentleman” received mixed reviews. Some critics praised the novel’s unique style and humor, while others criticized its lack of a coherent plot and structure. Despite the mixed reviews, the novel became an instant success and quickly gained a large following.

Long-Term Academic Views

Over time, “Tristram Shandy” has become widely regarded as a masterpiece of English literature. Many scholars have praised Sterne’s innovative use of narrative techniques, such as his use of digressions and his self-reflexive commentary on the act of writing. Some have also interpreted the novel as a commentary on the nature of language and the limitations of human communication.

Despite its initial mixed reception, “The Life and Opinions of Tristram Shandy, Gentleman” has come to be recognized as a groundbreaking work of literature. Its influence can be seen in the works of many later writers, and it continues to be studied and appreciated by scholars and readers alike.